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* Image is for illustrative purposes only."Tsukurikomi" (造り込み) is a technical term for the cross-sectional shape of a Japanese sword's blade. The sword's cross-section is not a perfect flat plane; rather, diverse shapes form through the positional relationships and slopes of each section (spine, ridge, surface, and edge).
"Hirazukuri" (平造り) is the simplest construction method among these, characterized by the absence of a "shinogi" (鎬)—the ridge line on the cross-section. The blade's cross-section continues in a uniform slope (or gentle slope) from spine to edge, creating a flat form.
The standard construction of typical uchigatana (打刀) is "shinogi-zukuri" (鎬造り). In shinogi-zukuri, the blade's cross-section has a ridge called "shinogi-suji" (鎬筋), with a flat "shinogi-ji" (鎬地) on the spine side and the "ji" (地) on the edge side separated by this ridge.
In contrast, hirazukuri features:
Due to these structural characteristics, hirazukuri is considered optimal for the following applications and sword types.
Hirazukuri is primarily used for short swords. The reasons include:
Shorter wakizashi sometimes feature hirazukuri, though shinogi-zukuri is more common for this type.
Hirazukuri occasionally appears in longer swords, though it is less common than in short swords from a strength perspective.
The earliest straight swords (chokutō) of the Yamato and Nara periods, known as jōkotō, often featured forms close to hirazukuri. As Japanese sword design evolved, shinogi-zukuri became mainstream, yet short swords continued to employ hirazukuri.
From the Kamakura through Nanboku-chō periods, Awataguchi Yoshimitsu (粟田口吉光) created masterpieces of hirazukuri short swords. Yoshimitsu's works such as "Harakiri" and "Yagen Tōshirō" remain transmitted as fine examples of hirazukuri short swords. Yoshimitsu's extant works are covered in more detail in Awataguchi Yoshimitsu (Tōshirō): surviving masterpieces and where they are held.
During the Shintō period (from Keichō onward), hirazukuri remained standard for short swords. As blade pattern diversity progressed in this era, hirazukuri's broad surface became a stage for complex hamon expression.
Shinshintō craftsmen were enthusiastic about copying (imitating) koto works, resulting in numerous hirazukuri short sword pieces modeled after famous koto specimens.
A wakizashi attributed to Awataguchi Yoshimitsu, remade from a naginata (naginata-naoshi). Its blade length is about 58.7 cm (1 shaku 9 sun 4 bu), and it is said to have originally been a naginata that was shortened (suriage) and converted into a wakizashi. Also known for having been owned by Toyotomi Hideyoshi, it is now held by Toyokuni Shrine (Kyoto). It is a nationally designated Important Cultural Property.
Ichigo Hitofuri is said to be the only tachi Awataguchi Yoshimitsu ever forged. It was named after the legend that "Yoshimitsu made only this one blade." It is now held at the Sannomaru Shōzōkan, under the jurisdiction of the Imperial Household Agency.
Famous as a hirazukuri short sword owned by Oda Nobunaga. According to legend, Nobunaga tried to use it to take his own life at the Honnō-ji Incident, but its edge chipped and it could not be used. Its current location is unknown.
Key points to note when appreciating hirazukuri blades:
Without a ridge, the surface expands widely. The hamon patterns displayed across this broad surface possess a dynamism distinct from shinogi-zukuri. Particularly, hirazukuri short swords with large chōji-midare or gunome-midare can express the beauty of hamon patterns to their fullest.
One beauty of hirazukuri lies in uniform blade thinness. The cross-section continuing with consistent slope from spine to edge demonstrates the smith's high skill. Non-uniform thickness may indicate forging issues.
In hirazukuri, the spine shape is also an appreciation point. The "iori-mune" (庵棟)—triangular in cross-section—is most common, though "maru-mune" (丸棟)—circular in cross-section—and "kaku-mune" (角棟)—square in cross-section—also appear.
Because hirazukuri short swords are compact overall, the nakago's finishing is an important appreciation point. Observe the signature's calligraphy, rust condition, and tang shape (栗尻 or 舟底).
A frequently confused construction method is "moroha-zukuri" (諸刃造り). Moroha-zukuri features edges on both sides with a lozenge-shaped symmetrical cross-section, commonly found in jōkotō (ancient straight blades).
Differences between hirazukuri and moroha-zukuri:
| Feature | Hirazukuri | Moroha-zukuri |
|---|---|---|
| Edge location | Single side | Both sides |
| Cross-section shape | Asymmetrical (spine side thicker) | Left-right symmetrical |
| Ridge | Absent | Absent (typically) |
| Application | Short swords, self-defense | Jōkotō, ceremonial swords |
Hirazukuri is the simplest construction among Japanese sword forms, yet this simplicity carries its own challenges and beauty. Without superfluous structural elements, the smith's skill manifests directly in appearance.
Masterpiece hirazukuri short swords such as "Yagen Tōshirō" evidence how genius Awataguchi Yoshimitsu condensed maximum artistic expression within the hirazukuri form. Rather than overlooking hirazukuri as a "simple shape," deeply observing the technique and aesthetics embedded within it constitutes one of the profound joys of Japanese sword appreciation.
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