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* Image is for illustrative purposes only."Suriage" (polishing-up) is one of the modification practices that changes the form of a Japanese sword, specifically referring to the process of shortening the overall length of the blade (including the cutting edge length) by trimming down the rear end of the blade's nakago. Through suriage, the cutting edge length also becomes shorter, and as the nakago portion becomes shorter, the grip (tsuka) and overall blade balance change, with the modification most often carried out for the purpose of improving practical usability.
As for the etymology of the term "suriage," the general explanation is that it derives from the process of finishing and polishing (polishing-up) the cut surface of the nakago.
The historical background behind large-scale suriage lies in the fact that large tachi blades manufactured during the Kamakura to Nanbokucho periods became difficult to use as warfare tactics changed (from mounted combat to foot soldier combat). Long tachi blades were not suited to the style of being worn at the waist as uchigatana, and it became common practice to reuse them as uchigatana by trimming and shortening the nakago. From the late Muromachi period through the early Edo period, many masterpieces of koto blades were suriaged and used as uchigatana.
Suriage is classified as follows based on the degree of modification.
The amount of nakago trimming is relatively small, with a portion of the original nakago remaining. In most cases, the original signature (the original swordsmith's mei) is preserved, and some of the original mekugi holes also remain. Part of the file marks (yasurime) of the nakago can be seen continuing.
The nakago has been trimmed substantially. The original signature (mei) is often partially or completely lost. The original mekugi holes have been removed, and new ones have been drilled. The overall form of the nakago has changed.
The original nakago has been completely removed, with the original signature completely lost. The entire nakago has been newly formed after the time of suriage. The original file marks do not remain, and new file marks have usually been applied.
When performing suriage, how the original signature is handled becomes an extremely important issue in appraisal.
When the original signature remains on a specific part of the nakago, the practice of folding back the end of the trimmed nakago to preserve the part where the signature is inscribed is called a "wrapped signature" (orekae-shi-mei). Through this, the original signature remains hidden inside the shortened nakago. The presence of a wrapped signature is an important positive factor in appraising the value of a suriaged blade.
Whether a wrapped signature exists can be confirmed by carefully examining the area around the mekugi holes and the sides and ends of the nakago when removing the tsuka and observing the nakago.
After suriage, a daimyo or sword merchant who commissioned the suriage may add their own name as a signature on the nakago. This is called an "added signature" (soe-mei) or "daimyo suriage" (daimyo-suriage). In famous blades that are said to have been suriaged by renowned warlords such as Toyotomi Hideyoshi, Tokugawa Ieyasu, and Date Masamune, such added signatures may remain.
When later sword appraisers (such as the Honami family) apply a signature as an appraisal result on a suriaged blade that has lost its original signature, this is called an "appraisal" (kiwame) or "entering a later signature" (nochi-mei wo ireru). Suriaged blades bearing appraisal signatures from famous appraisers such as Honami Koōon and Honami Kōchū possess historical value in themselves.
A suriaged blade can be confirmed by observing the nakago. The characteristic features seen in suriaged nakago are as follows.
The procedure for reading the overall history of a blade from its file marks, mekugi holes, and signature is systematically explained in The Complete Guide to Reading Tangs (nakago).
Suriage has a complex impact on the value appraisal of Japanese swords.
Particularly when the original signature is lost in complete suriage, even if an appraisal signature exists, the evidentiary power as to the original blade weakens.
Appraisal points for distinguishing authentic suriage from the Muromachi to early Edo period from later fraudulent modifications (false suriage) performed for improper purposes:
Suriage is a modification culture that arose necessarily in the history of the Japanese sword, and in itself represents the demands of the era and the skill of the swordsmith. For appraisers, observing a suriaged blade is also a task of reading multiple historical cross-sections at once, from the era of its creation through the era of modification and down to the present day.
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