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* Image is for illustrative purposes only.The nakago of a Japanese sword is the part of the blade that fits inside the handle (tsuka) and is typically not visible from the outside. The nakago contains the following concentrated information:
By comprehensively interpreting these elements, one can determine the sword's provenance, authenticity, and whether it has been modified. The nakago is an "indelible record," and the ability to read it accurately is at the heart of Japanese sword authentication.
Yasurieme are the scratch patterns created by a file (a metal tool) applied to the surface of the nakago. Beyond mere finishing, they also serve the practical purpose of preventing the handle wrapping from slipping, but most importantly, they are crucial clues to the characteristics of the swordsmith and the region of origin.
Katte sagari (right-descending file marks): File marks that run downward to the right. The most common form, seen in many regions.
Suji gai (diagonal file marks): File marks that cross diagonally. Found in Bizen, Mino, and other regions.
Kiri (horizontal file marks): File marks running horizontally. Found in the koto period and in the Yamashiro tradition.
Higaki (cypress fence pattern): File marks forming a continuous V-shape pattern. A special form found in certain schools.
Kesho yasuri (decorative file marks): Decorative file marks applied for aesthetic purposes. Found in areas such as the maruage mei (shortened blade signature) of tachi.
| Period / Region | Typical Yasurieme |
|---|---|
| Koto Period (General) | Kiri, Katte sagari |
| Bizen Tradition | Suji gai |
| Yamato Tradition | Katte sagari |
| Soshu Tradition | Katte sagari, Irregular |
| Edo Period (Shinto) | Katte sagari, Kesho yasuri |
However, since yasurieme may have been modified in later periods, judgment based on them alone is dangerous.
The mekugiana is the hole for the mekugi peg that secures the blade to the handle, and the number of holes is an important clue indicating the sword's usage history and modification history.
One hole: The most standard. Swords from the early modern period onward typically have one hole.
Two or more holes: When there are two holes, it generally means one of the following:
Position and age of holes: Old holes have deep rust, while new holes have shallow rust. When there are multiple holes, the age of each can be determined by comparing the degree of rust on each.
The mei is the characters that the swordsmith carved into the nakago using a chisel (nomi) or engraving tool (tagane).
Omote mei (front signature): The signature on the side that faces outward when the blade is worn at the waist (with the edge facing upward). Usually contains the swordsmith's name.
Ura mei (reverse signature): The signature on the inner side. Often contains the year of manufacture, the dedicatory temple or shrine, owner's name, and other information.
When a tachi is shortened into a katana (maruage), the original signature may be removed. A blade that has lost its signature through maruage is called "mumei" (unsigned).
In some cases of maruage, the original signature area is folded back and forge-welded to the opposite side, preserving the signature (called "ori kaeshi mei" or "folded back signature," characterized by the signature being upside down). Additionally, "gaku mei" or "tanzaku mei" (framed or slip signature)—where the signature is cut into a strip shape and fitted in—is a different technique.
The overall shape of the nakago (length, form, shape of the point) is also an important element in authentication.
Bo-hi nakago (rod-shaped): A slender, elongated nakago. Common in tachi from the Kamakura to Muromachi periods.
Funazoko (boat-bottom) nakago: The point has a rounded, boat-bottom shape. Found in specific regions.
Kurijiri (chestnut-butt) nakago: The point has a rounded, chestnut-like shape. Common in the Yamato tradition.
Kiri (cut) nakago: The point is cut straight. The most common form.
The rust on the nakago is evidence of aging and an important clue for determining the period of the sword.
Characteristics of old rust: Deep, dry appearance; a grayish-blue color called "ai-iro sabi" (indigo rust). Particularly seen on koto-period blades' nakago.
New rust (red rust): Reddish rust is relatively recent rust. However, depending on storage conditions, old blades may also develop red rust.
Artificial rust treatment: There is also a counterfeiting technique called "sabi ire" (artificial rust application) that creates rust artificially on the nakago. Distinguishing it from natural rust is often difficult, and expert authentication is necessary.
The yasurieme, mekugiana, mei, shape, and rust of the nakago are traces of hundreds of years of time. While the condition of the blade itself may change through later repairs and polishing, the nakago is not originally meant to be altered—this is why the nakago's evidential capacity is so high. Of course, skillful counterfeits do exist, but by comprehensively examining multiple observation points, one can approach the truth about the blade. The habit of carefully observing the nakago steadily cultivates and refines one's eye for Japanese sword authentication.
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