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* Image is for illustrative purposes only.When describing the blade shape of a Japanese sword in numerical terms, three dimensional elements are indispensable.
The combination of these three elements defines the blade's "cross-sectional taper," and influences every aspect of sharpness, center of gravity, strength, and handling. They are the starting point for reading a sword through its measurements.
The trends in kasane and width have shifted significantly over the centuries. Those changes are a mirror reflecting transformations in combat style, materials technology, and aesthetic sensibility.
| Dimension | Typical value | Characteristics |
|---|---|---|
| Motohaba | 28–32 mm | Slightly narrow |
| Sakihaba | 14–20 mm | Large difference from motohaba; slender |
| Moto-kasane | 6–8 mm | Relatively thick |
| Saki-kasane | 3–5 mm | Tapers sharply toward the tip |
The tachi of this period, designed primarily for slashing strikes by mounted warriors, has a slender, tapered "supple" form. With a narrow sakihaba, the kissaki side is lighter, making balance easier to achieve.
| Dimension | Typical value | Characteristics |
|---|---|---|
| Motohaba | 35–45 mm | Very wide |
| Sakihaba | 25–35 mm | Small difference from motohaba; robust |
| Moto-kasane | 8–12 mm | Thick and heavy |
The "robust form" exemplified by Nanbokuchō-period ōdachi and nodachi was the result of prioritizing destructive power in mass infantry combat. Motohaba, sakihaba, and kasane are all large, and the weight is estimated to have been considerable even by modern standards.
| Dimension | Typical value | Characteristics |
|---|---|---|
| Motohaba | 30–35 mm | Moderate |
| Sakihaba | 20–25 mm | Moderate difference from motohaba |
| Moto-kasane | 7–9 mm | Standard thickness |
These are dimensions optimized for the uchigatana suited to infantry combat. By maintaining a moderate difference between motohaba and sakihaba while placing the center of gravity near the mono-uchi, striking power in actual combat is secured.
| Dimension | Typical value | Characteristics |
|---|---|---|
| Motohaba | 28–32 mm | Slightly slender |
| Sakihaba | 18–22 mm | Taper more pronounced |
| Moto-kasane | 6–7 mm | Thin |
This was a period when the practical demand of warfare had faded, and appreciation and formal dress became the focus. Blade shapes shifted toward a slender, thin "elegant form."
More than the dimensions themselves, what most directly reveals the character of a sword is the ratio of sakihaba to motohaba (taper ratio).
Taper ratio = sakihaba ÷ motohaba
| Taper ratio | Meaning | Period/use examples |
|---|---|---|
| 0.5 or below | Steep taper | Heian-Kamakura tachi (slender form) |
| 0.55–0.65 | Standard taper | Late Kamakura–Muromachi tachi and uchigatana |
| 0.7 or above | Gradual taper | Nanbokuchō robust swords; some gendaitō |
The smaller the taper ratio (steeper taper), the more the following characteristics emerge.
Conversely, the larger the taper ratio (more gradual taper), the more the character shifts as follows.
Equally important alongside width is the taper of kasane (thickness). The rate of change from moto-kasane to saki-kasane determines the stiffness distribution of the blade.
Typical moto-kasane/saki-kasane ratios:
The steeper the kasane taper, the more rapidly the blade narrows toward the tip, reducing air resistance during thrusting and lunging. Conversely, a gradual taper preserves overall blade stiffness, making it more resistant to clashing. Combined with the width taper, the character of the sword is tuned with even finer precision.
Accurately reproducing a designed kasane and width taper through hammer blows is no easy task. Let us trace the key points the tōkō must keep in mind at each stage.
The steel completed through orikaeshi tanren (folding) is drawn out in the "sonobe" stage to establish the blade's fundamental length, width, and kasane. From this stage, hammering with the motohaba and sakihaba taper already in view is required.
In the "hizukuri" stage following sonobe, the shape of each part of the blade is refined with precision. Three operations proceed simultaneously here.
During yaki-ire (water quenching), thermal stress can cause slight deformation of the blade. When correcting this deformation through the "hizumitori" (straightening) technique explained in sori control techniques, it is necessary to proceed carefully while taking into account the effects on kasane and width.
The taper design of kasane, motohaba, and sakihaba does not directly show up in the finished sword's appearance. Yet it is an essential design parameter that governs every aspect of sharpness, center of gravity, handling, and strength.
The fact that optimal dimensions have shifted from period to period is itself proof that the Japanese sword has continually been updated in response to the demands of actual combat, advances in materials, and changes in aesthetic sensibility. The tōkō of today also weave the blade's taper into each hammer blow, drawing on a sense of proportion learned from centuries of accumulated knowledge. For those wishing to compare these cross-sectional differences in actual works, the online catalog allows observation of blade shapes from multiple periods side by side.
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