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* Image is for illustrative purposes only.In the past, the work of swordsmiths was completed within the forge. The main source of orders came from regular customers connected through introductions from masters or through sword dealers, and there was almost no culture of active self-promotion. However, in the 21st century, particularly with the spread of smartphones and SNS since the 2010s, and the rise of video platforms in the 2020s, the means of delivering swordsmiths and their work to the world are fundamentally changing.
Between 2019 and 2023, demand for "videos of contemporary swordsmiths" surged among overseas Japanese culture enthusiasts and collectors. On YouTube, sword-forging videos began recording hundreds of thousands to millions of views, and on Instagram, close-up photos conveying the beauty of the hamon became widely shared among foreign users. This change signifies that swordsmiths have begun to take on aspects of "content creators" in addition to being craftspeople.
| Platform | Characteristics | Primary Target |
|---|---|---|
| Visually convey the beauty of hamon and jihada through photography. Regular updates 1-3 times per week are effective | Overseas users unfamiliar with Japanese swords | |
| YouTube | Release the entire sword-forging process as a 10-20 video documentary series. Auto-generated English subtitles increase overseas access | Those looking to cultivate deep fans |
| X (formerly Twitter) | Share the forging process in real-time and connect with other swordsmiths, polishers, and scabbard makers | Domestic sword enthusiasts and expert communities |
| TikTok | Short-form videos (15 seconds to 3 minutes) of water quenching and zoom-in footage spread easily | Younger generations (future buyers) |
Instagram is currently the most widely used platform for self-promotion among swordsmiths. Close-up photos of hamon, images of flames and gleaming steel during quenching, and photographs of completed swords in their entirety have strong visual impact and can intuitively convey the "beauty" of swords to foreigners unfamiliar with Japanese swords.
What is common among swordsmith accounts with over 10,000 followers is consistency in posting (regular updates 1-3 times per week) and documentation of the production process (releasing not just finished products but materials, forging, and quenching processes step by step). Simply adding English captions dramatically increases the acquisition of overseas followers. It has been confirmed that hashtags such as nihonto / katana / swordsmith / japanesesword are effective for driving overseas search traffic.
YouTube allows for longer viewing time per video and is well-suited for cultivating deep fans. The sounds of work in the forge (the clang of striking metal, the crackling of fire, the sound of water quenching) give viewers a strong sense of immediacy, so even nearly unedited formats often show high viewer retention rates.
The content that is particularly popular overseas is a series of videos titled "Making a Sword from Scratch." When released as a 10-20 video series from tamahagane selection through quenching, polishing, and shirasaya production, fans watch consecutively, increasing total viewing time and making algorithmic ranking improvements more likely. Simply utilizing the auto-generation feature for English subtitles significantly increases overseas access, so swordsmiths can handle this even if they cannot create English subtitles themselves.
X is strong for two-way communication with Japan's sword enthusiast community. A style of real-time sharing of news photos of completed swords and insights from the production process has become established, and it has also become a hub for exchange with other swordsmiths, polishers, and scabbard makers. It also functions as a gathering place for specialized questions and comments from collectors and researchers, and is used as a medium to convey "the character of the swordsmith."
TikTok is a platform focused on short-form videos (15 seconds to 3 minutes), with a target demographic of younger generations. Videos of water quenching during hardening and zoom-in footage of completed swords have high viral potential and function as an entry point for drawing in younger audiences who previously had no interest in swords. While this is an essential channel from the perspective of long-term customer cultivation, it tends to have lower operational sustainability rates compared to other platforms.
English-speaking sword enthusiasts will actively follow a swordsmith's Instagram even if they only understand Japanese, but the relationship does not deepen if there are no responses to English comments or inquiries. To achieve thousands of followers, even minimal English DM response ability (template-level responses are sufficient) significantly impacts conversion rates.
Many swordsmiths who have actually received orders from overseas employ the following strategies.
Successful swordsmiths in SNS promotion share the common feature of "clarifying their individuality." By repeatedly emphasizing technical individuality (preferred hamon patterns, sword aesthetics, and material preferences), a brand image of "when you think of this swordsmith, you think of this" forms during search-driven traffic.
SNS is merely an entry point for awareness building, and multiple steps are needed from inquiry to closing the sale.
With the spread of SNS and video content, the trend toward "direct sales" — where swordsmiths connect directly with customers without intermediaries — is accelerating. This change brings higher profit margins for swordsmiths while prompting a reassessment of sword dealers' intermediary role.
In the future, it is possible that models where individual swordsmiths use online stores and reservation management tools to complete order acceptance, progress sharing, and payment processing may become widespread. By mastering modern digital tools, traditional craft artisans are expected to connect the Japanese sword market to new customer bases across borders, driving overall industry revitalization.
← Sword Culture in the Bunkyu, Genji, and Keio Eras (1861–1868): The Sonnō Jōi Movement, the Reevaluation of Swords, and the Sword-Carrying Customs of the Patriots
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