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* Image is for illustrative purposes only.After the Meiji Restoration, Japan's traditional iron-making technique "tatara" rapidly declined due to the rise of modern industrial iron production. Although tatara iron-making seemed to have disappeared from the entire nation, the cultural demand for Japanese swords provided the impetus for its revival in a contemporary form.
Tamahagane, the steel used for Japanese sword blades, is made exclusively from iron produced by tatara iron-making. The irregular steel ingots (tamahagane) produced by reducing and melting iron sand with charcoal inside the furnace possess a unique carbon distribution and crystal structure that cannot be reproduced by modern industrial iron-making, making it an essential material for forming the jihada and hamon of Japanese swords.
To maintain domestic supply of tamahagane, the "Nittoho Tatara" facility (located in Okuizumo Town, Nita County, Shimane Prefecture) was established and is operated by the public-interest incorporated foundation Japan Art Sword and Blade Preservation Society (NBTHK).
Nittoho Tatara is a facility with the cultural mission of supplying raw materials for Japanese swords, and operates during the winter season each year (approximately January to February). The facility operates in winter for both practical reasons—the low-humidity season makes it easier to control moisture levels inside the furnace—and because of seasonal practices based on ancient tradition.
Operations are directed by the murage (village master), the chief supervisor of tatara iron-making, with specialized teams of craftsmen—including the daiku, kokatji, and romateko—working collaboratively with defined roles. Each operation (lasting 3 consecutive days and nights) produces approximately 2-3 tons of steel, of which only about one-third to one-quarter of the total is the highest-quality tamahagane suitable for use.
The iron sand raw material is sourced from kannamagashi sites and iron sand extraction areas in the Chugoku Mountains, centered around Shimane Prefecture. Charcoal used includes pine charcoal and oak charcoal, and both the types and their proportions are important variables that affect temperature control inside the furnace.
The murage is the position requiring the highest level of technical skill and judgment in tatara iron-making. By comprehensively assessing the condition of the furnace (takadono), the quality of the iron sand, the charcoal's combustion status, and weather conditions, the murage adjusts the quantity and timing of iron sand and charcoal input, as well as the air flow from the bellows (fuigo) to the furnace, thereby producing tamahagane of the intended quality.
The murage's techniques at the modern Nittoho Tatara are carried on by a small group of specialists, primarily descendants of traditional kanashi families whose techniques have been passed down through generations in the Okuizumo region. The murage's techniques are difficult to document or standardize; they are an accumulation of "embodied knowledge" acquired only through years of hands-on operational experience.
Tatara operations involve continuous labor lasting 3 days and nights (over 72 hours). With furnace temperatures reaching 1400-1500°C, the work of continuously feeding iron sand and charcoal in front of the furnace is physically grueling in the extreme.
The furnace workers' main tasks include measuring and adding iron sand, managing and adding charcoal, observing conditions inside the furnace (judging by the flame's color, shape, and sound), and operating the bellows (in modern times, electric blowers are used). Maintaining accurate judgment and continuing work amid the intense radiant heat from the furnace requires both high concentration and physical endurance.
After 3 days and nights of operation, the furnace is dismantled in a process called "kela-dashi" (kela extraction) to remove the "kela" (steel ingots). Kela are classified into multiple grades based on carbon content, and the highest-quality tamahagane (with approximately 1-1.5% carbon content) is distributed to sword smiths throughout Japan through the Nittoho organization.
The quantity of tamahagane distributed is limited, and in many cases, it falls short of meeting the demand of all sword smiths throughout Japan. While priority is given to renowned sword smiths and those preserving traditional forging methods, it is not easy for emerging sword smiths or younger craftspeople to secure sufficient tamahagane. This is one of the material sourcing challenges facing contemporary sword smiths.
One of the greatest challenges facing Nittoho Tatara is the issue of succession. As skilled craftspeople, particularly murage, continue to age, the urgent need to develop the next generation of practitioners has become apparent. Efforts to discover new practitioners continue, including tatara iron-making experience programs for youth in the Okuizumo region and opportunities to learn about tatara iron-making in agricultural and forestry high schools.
Additionally, rising costs for sourcing iron sand and charcoal have become operational challenges. The production cost of tamahagane can be tens of times higher than that of industrial iron, and maintaining sustainable operations while fulfilling a cultural mission is not easy. To preserve tatara iron-making, a cultural heritage of Japan, understanding and support from society as a whole is essential.
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