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* Image is for illustrative purposes only.In the forging process of the Japanese katana, one of the moments where the swordsmith's knowledge and instinct are tested most intensively is "temperature management of the forge." Properly heating tamahagane to the appropriate state, maintaining the forging temperature suitable for hammer work, and continuing to do so throughout the process appears deceptively simple on the surface, but in reality it is a complex technique requiring simultaneous control of charcoal type, bellows operation, and heating duration.
The forge (kamado) is generally called a "kaji-ro" (blacksmith's forge) and is a small combustion chamber constructed of clay and firebrick. In front of the forge stands a "fuigo" (bellows), which is operated by foot-pumping or electric motor to send wind into the forge. In modern sword-making studios, electric blowers are often used, but in traditional apprenticeships, some studios still employ foot-operated bellows.
In the training to become a swordsmith, it is said that apprentices often begin their work not by wielding a hammer, but by performing tasks such as charcoal cutting and adjusting the fire in the forge. Each individual action—the amount of charcoal to place in the forge, how to remove ash, and how to direct the wind—determines the success or failure of the subsequent forging process. Through repeating these patient tasks, apprentices develop a physical understanding of the forge's overall state.
The type of charcoal used in forging directly determines the furnace temperature and its effect on the steel. In Japanese katana forging, primarily "shiro-zumi" (white charcoal) and "kuro-zumi" (black charcoal) are used, and their properties differ significantly.
| Type of Charcoal | Combustion Characteristics | Suitable Process |
|---|---|---|
| White charcoal (binchotan) | Capable of burning at high temperatures for extended periods. The time to reach maximum temperature is long, but once temperature is reached, it maintains stable high heat. The CO (carbon monoxide) gas generated from white charcoal functions as a "reducing flame," inhibiting oxidation of the steel (the surface becoming iron oxide). | Heating during the latter stages of forging, when the steel has been sufficiently homogenized |
| Black charcoal (charcoal) | Ignites quickly and is easier to control for temperature. However, it produces lower temperatures than white charcoal and is not suitable for sustained stable burning. | During the early stages of forging when heating tamahagane, or when rapidly heating small iron materials |
Swordsmiths use white and black charcoal selectively, or blend them together depending on the forging stage. This choice is largely learned through oral tradition from the master, representing the core of experiential knowledge that is difficult to quantify.
Before use, charcoal must be prepared through "charcoal cutting"—breaking it into appropriately sized pieces. Charcoal that is too large tends to burn unevenly in the fire bed, while charcoal that is too fine does not sustain sufficient heat. Selecting and adjusting charcoal size according to the process and the size of the steel being handled is one of the techniques that swordsmiths and apprentices refine through their daily work. Additionally, as combustion progresses and ash accumulates in the forge, the heat transfer changes, so regularly removing ash and maintaining the fire bed is essential.
The volume of air (oxygen) delivered by the bellows affects both the furnace temperature and the carbon content of the steel.
Increasing the air volume raises the furnace temperature, making the steel softer and easier to hammer. However, simultaneously, excess oxygen oxidizes the steel surface (creating fire scale), and the risk of oxidation residue remaining within the steel during folding and forging increases. Conversely, reducing air volume lowers temperature, hardening the steel and increasing the labor required for hammer work.
From the perspective of carbon content, prolonged high-temperature heating promotes decarburization—the escape of carbon from the steel surface. Simultaneously, carburization can also occur, as carbon from the charcoal is absorbed into the steel. To control the balance between decarburization and carburization, swordsmiths empirically adjust heating time, temperature, and charcoal placement.
The rhythm of pumping or pulling the bellows is also a crucial element of temperature management. Abruptly changing air volume causes furnace temperature to fluctuate wildly, resulting in some parts of the steel softening prematurely while other parts remain hard. Swordsmiths aim to maintain smooth temperature fluctuations by operating the bellows at as consistent a rhythm as possible. It should be noted that carbon monoxide generated by the reducing flame is colorless and odorless, making it harmful to human health; therefore, ventilation is carefully managed in sword-making studios.
Modern sword-making studios have no thermometers. Swordsmiths determine the temperature of heated steel by observing its "hiiro" (fire color)—the color of radiated light.
| Temperature | Fire Color |
|---|---|
| Approximately 700–800℃ | Red (dark red to bright red) |
| Approximately 900℃ | Orange |
| Approximately 1000–1100℃ | Yellowish-white approaching white |
| 1200℃ and above | White hot |
The optimum forging temperature (the temperature at which steel becomes soft enough to hammer) is roughly 900–1100℃, and within this "orange-to-yellowish-white" range, the swordsmith senses the optimal temperature based on the type of steel being handled (outer or core iron) and the stage of the process (layering and heating stage or folding stage).
Fire color assessment is difficult in bright daytime workshops, which is why traditional sword-making studios intentionally maintain dim lighting conditions to preserve this sensory capability. When swordsmiths speak of "sharpening their instincts," the core of that instinct is this precision in fire color judgment. The meaning of such technical terminology can also be confirmed in the glossary.
Fire color determination is not a matter of simply memorizing colors, as the same steel responds differently depending on whether it is outer or core iron. Through years of experience, swordsmiths develop the ability to make comprehensive judgments integrating not only the color of the steel and its position in the furnace, but also the flickering of the flames. Cultivating this sense requires patient training over years and is said to be impossible to acquire overnight.
In recent years, some sword-making studios have begun using non-contact infrared thermometers (pyrometers) as supplementary tools. By confirming minute temperature differences that are difficult for the human eye to distinguish through numerical readouts, they aim to improve the training efficiency of apprentices.
Research into "forging support systems" combining AI and sensor technology is also advancing in some cases through collaboration with the National Institute of Advanced Industrial Science and Technology and universities. If a system that records furnace temperature, air volume, and heating time in real-time could be constructed and compared with analysis of past masterpieces, objective evaluation of the technique might become possible.
However, most swordsmiths believe that thermometers and AI are merely supplementary, and that final judgment should ultimately rest with human instinct. Such measurement technologies are most often used to supplement the training of apprentices who have not yet developed an instinct for fire color assessment, not to replace the swordsmith's own forging process. Numerical data serves only as a "check against answers," and judgment at the actual forging site remains entrusted to the swordsmith's instinct. Sensing the steel's breath, hearing the forge's voice, reading the fire color—this comprehensive sensory perception is the essence of Japanese katana forging, a craftsman's spirit that cannot be replaced by numerical values. The swordsmith standing before the forge and bellows embodies the heart of Japanese sword-making as it has remained unchanged for centuries.
The results of furnace temperature management are ultimately reflected in the appearance of the blade's steel and hamon. Unevenness in heating and forging processes can lead to defects such as irregularities in the forged skin, making the precision of temperature management a foundation supporting the quality of the sword itself. When enthusiasts hold swords certified by NBTHK (Nippon Bijutsu Token Hozon Kyokai / The Society for Preservation of Japanese Art Swords) with an authentication certificate, many focus on the beauty of the steel's grain and the sharpness of the hamon, but behind that beauty lies the accumulated technique of the swordsmith's temperature management developed over countless hours before the forge and bellows. The beauty of a sword is supported not only by the spectacular finishing processes, but also by these patient, persevering exchanges with the flames—a point worth remembering.
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