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* Image is for illustrative purposes only.When we observe Japanese sword forging from the outside, we imagine a sword smith (toji) standing alone before a furnace, striking steel continuously. However, in an actual traditional smithy, multiple craftspeople and apprentices with different roles work in coordination. It is physically and technically difficult for a single sword smith to forge a blade in complete isolation.
If we categorize the main roles in the smithy, we can organize them as follows:
| Role | Main Responsibilities |
|---|---|
| Sword smith (Master) | Oversees the entire smithy and leads the forging of steel |
| Teko (assistant) | Holds the steel with metal tongs (hasami-kane/kanshi) and adjusts the angle and position of the material in time with the sword smith's hammer strikes |
| Sakite / Mukou-zuchi (opposite hammer operator) | Uses a large hammer (oozuchi) to strike the steel in coordination with the teko, handling major deformation during fold-welding and stretching (sunobe) |
| Fuigo-shi (bellows operator) | Operates the bellows (fuigo) to send air into the furnace and manages the forging temperature (approximately 900-1300°C) |
Understanding how these roles function and how they are inherited is an essential perspective for deeply understanding Japanese sword making.
The "teko" is a person who takes on the role of assisting the sword smith by holding steel on the anvil (kanatoko). The main job is to precisely hold the heated steel with metal tongs (hasami-kane/kanshi) and continuously move the material to the appropriate angle and position in time with the sword smith's hammer strikes. Each time the sword smith gives a signal (eye contact or the way the hammer is positioned) saying "strike this side," the teko instantly adjusts the direction of the steel. If this timing is not coordinated, the precision of the forging decreases significantly.
An experienced teko reaches the level of "reading the master's intentions with their body," and the unspoken coordination fostered in the master-apprentice relationship determines the quality of the sword. In recent years, apprentices often serve as teko, but there were once regions where specialized teko craftspeople existed. The work of teko is assigned at the earliest stage of apprenticeship and is also an excellent opportunity to learn the master's hand movements up close.
The "sakite" or "mukou-zuchi" is a role that strikes steel in coordination with the teko using a large hammer (oozuchi). While the sword smith applies precise strikes with a small hammer (kozuchi), the sakite handles larger deformation with the large hammer.
Specifically, in the early stages of fold-welding and the stretching (sunobe) stage, the sakite's large hammer strikes and stretches the steel with great force. The sword smith indicates a spot with the small hammer saying "strike here," and the sakite drives it home with the large hammer. Timing discrepancies can cause uneven steel density and irregular fold lines, so the sakite must have not only physical strength but also high concentration and the ability to synchronize with the master.
In modern times, some smithies use electric hammers to replace the sakite's work, but sword smiths who maintain traditional hand forging still entrust the sakite role to their apprentices. Through the practice of handling the large hammer, apprentices can learn to sense "steel's response" with their skin.
The fuigo-shi operates the bellows (fuigo), a device that sends air into the smithy's furnace (fuigo-doko). In traditional smithies, the bellows are operated by hand, so the skill to send air at the appropriate timing and intensity is required.
The fuigo-shi's primary role is "furnace temperature management." In Japanese sword forging, it is essential to maintain the steel at the appropriate forging temperature (approximately 900-1300°C), and the furnace temperature is determined by the balance of three factors: the amount of charcoal, its type, and the air flow volume. The fuigo-shi observes the master's striking speed and the color of the steel, adjusting the air flow to constantly maintain the optimal "state of the fire."
An experienced fuigo-shi intuitively judges "the temperature the steel desires" from the color of the flames and the glowing color of the steel. This sense is something acquired only after standing before the furnace for many years, and it is considered a classic example of tacit knowledge that is difficult to teach in words.
The division of labor in the smithy has a history nearly as long as that of the Japanese sword. It is said that in large workshops during the Kamakura period, multiple swordsmiths and craftspeople cooperated in one workshop to produce swords in quantity, and it is believed that many apprentices and specialized assistants existed. In the Edo period, a system centered on official retainer swordsmiths was established, and it became common to forge swords in teams with apprentices and assistants provided by the domain. After the Meiji Restoration, the Sword Abolition Edict of 1876 caused a sharp decline in sword demand, leading to the shrinkage of smithies and a significant reduction in the number of apprentices and assistants. Since the post-war period of sword smith revival, the standard form for many sword smiths has become "a small workshop working with one or two apprentices."
The division of labor system is important not only for work efficiency but also from the perspective of technical transmission.
Through this multifaceted learning process, apprentices eventually grow into sword smiths capable of overseeing all processes. Division of labor is not simply an efficiency measure but also an educational apparatus for "learning the master's work from all angles."
A Japanese sword is not the work of a single sword smith but the collective product of multiple roles working together in the smithy. The teko, sakite (mukou-zuchi), and fuigo-shi support the master in their respective positions, and the accumulation of their efforts determines the quality of each sword. When visiting the workshop of a contemporary sword smith, one can feel the breath of this division of labor on one's skin. If you wish to deepen your appreciation of the Japanese sword, I encourage you to seek the opportunity to visit a smithy and pay attention to these "invisible roles."
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