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* Image is for illustrative purposes only.The Yasukuni Shrine forge operated from 1933 to 1945, producing approximately 8,100 swords. Selection of smiths was rigorous — top craftsmen from across Japan were chosen through technical review. The facility initially operated on a rotating system with smiths serving periods at the forge; later some became permanent residents. Most production was for military use, but votive swords and special commissions were also made.
Gassan Sadakatsu: Representative of Osaka's Gassan school, renowned for ayasugi-hada. His Yasukuni-period works are among the most distinctive forged there, immediately recognizable by their cedar-grain steel patterns.
Sumitani Masamine (1921-1998): A young Kochi-born smith who participated in the forge. He later developed the distinctive "composite stacking" (three-layer shingane-kawagane-hagane construction) technique that defined his postwar career, earning Living National Treasure designation in 1971. The Yasukuni forge experience is credited as the foundation of his technical development.
Miyairi Yukihira (1913-1977): Long-standing advocate for tamahagane, certified Army swordsmith, and eventual Living National Treasure (1977). His Yasukuni-related work contributed to the forge's reputation for authentic traditional production.
Takahashi Sadatsugu (1902-1968): Bizen (Okayama) smith and keeper of Bizen-den tradition. Received Living National Treasure designation in 1957. Known for ko-choji and suguha-style hamon characteristic of Bizen tradition.
The forge maintained quality standards, with exceptional pieces selected as "goran-to" (imperial viewing swords) for shrine preservation. Some of these remain in the Yasukuni Shrine Treasury and are occasionally exhibited publicly — the most important primary sources for Yasukuni-to research.
The smiths who trained at Yasukuni became central figures in postwar Japanese sword revival. When production was permitted again in 1953, their maintained skills allowed immediate resumption of high-quality work. The fact that multiple Living National Treasures had Yasukuni connections demonstrates the forge's function as a wartime incubator of traditional technique — preserving craftsmanship across the rupture of Japan's defeat and occupation.
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