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* Image is for illustrative purposes only.The jitte (十手) is an iron rod with a hook (kagi) attached that stops sword blades, and was a capture tool carried by yoriki, doshin, and okappiki during the Edo period. The tessen (鉄扇) is a fan-shaped weapon made of iron or metal-reinforced bone, used by samurai as a self-defense tool in situations where swords could not be brought. This article explains the structure, types, and history of these metal weapons and capture tools that complemented the Japanese sword, as well as their treatment under modern firearms and sword laws from the perspective of sword history.
The world of Japanese swords extends beyond tachi, uchigata, wakizashi, and tanto. Japan developed diverse metal weapons and capture tools that complemented the sword, each developing its own techniques and culture.
This article focuses particularly on the "jitte (十手)," "tessen (鉄扇)," and "other capture tools" that were deeply connected to samurai culture and law enforcement in the Edo period, explaining them from the perspective of sword history.
The jitte (also called jutto) was a capture weapon used by yoriki, doshin, and okappiki (unofficial constables working for the shogunate or domain) during the Edo period. Yoriki and doshin were formally permitted to carry swords and kept them at all times, but okappiki were unofficial assistants and were generally prohibited from carrying swords; in actual practice, they were temporarily lent a jitte by doshin during arrests.
The techniques for using the jitte have been systematized as "jitte-jutsu (also called capture techniques)." The main techniques are as follows.
Today, "jitte-jutsu" and "jitte-do" are still transmitted by certain schools in the form of traditional martial arts.
The tessen is a metal weapon with the external appearance of a fan (ogi). Unlike ordinary fans made of washi paper and bamboo ribs, the tessen is made from "iron or metal ribs (senkostu)."
Tessen from the Edo period and later typically have a front rib length of approximately 24-30 cm (eight sun to one shaku), and weigh several hundred grams. The essence of the tessen is the combination of portability in a fan-shaped form that fits in the bosom with striking power equivalent to an iron rod. The dimensions, weight, number of ribs, and decoration vary considerably among surviving examples.
In modern Japan, the tessen is used as "training equipment for iaido and traditional martial arts," and some classical schools preserve tessen techniques. Many tessen are preserved and collected as antiques, and can be obtained at martial arts equipment shops and antique markets. The value is determined by the material of the ribs (iron, brass, etc.), the craftsmanship of the decoration, the period, and whether it bears a maker's mark.
A weapon with weights attached to both ends of a chain. Swung to entangle an opponent's weapon or body. It works on the same principle as the kusarigama, which wraps a chain around a sword blade to subdue an opponent.
An iron weapon shaped like claws, worn between the fingers. Used to grasp an opponent's sword or enhance striking power in unarmed combat.
A long-handled capture tool with a Y-shaped tip. Hooks around a fleeing criminal's waist or shoulder to restrict movement. It is still used by police and schools in modern Japan as a safety device.
A staff with an iron hook or barb at the tip. Hooks onto an opponent's clothing or body to restrict movement.
Tessen and jitte have their own distinct value in the antique market.
Generally, no. The "swords and blades" that the firearms and sword law regulates are edged weapons such as swords, tachi, and spears with a blade length of 15 cm or more. The jitte, which has no edge, does not fall into this category. Possession and storage as an antique or martial arts equipment are permitted. However, carrying it in town without legitimate reason may violate Article 1, Section 2 of the Misdemeanor Law (the crime of carrying a dangerous weapon) or local nuisance prevention ordinances in various prefectures.
Possession (storage at home, transport to training facilities, etc.) is not a problem, but daily carrying for "self-defense purposes" is unlikely to be recognized as having legitimate reason, creating a risk under the Misdemeanor Law. It is safest to limit transport to cases with clear purpose, such as training or exhibition, and to carry it in a dedicated bag or case.
The color and presence or absence of the tassel indicated the status and affiliation of the owner. The scarlet tassel (red tassel) of yoriki and doshin is widely known, but the implementation varied by period and magistrate's office, and many jitte had no tassel at all, focusing purely on practicality.
The jitte is a short one-handed subduing weapon that catches and entangles a sword, bringing the user close for close-quarters combat. The sasumata is a long-handled capture tool with a tip that pins an opponent down while maintaining distance to restrict movement. In Edo-period arrests, they were used together with the tsukubo and sodegarami as "three tools."
Japanese metal weapons culture, such as the jitte, tessen, and sasumata, that developed around the sword arose from the social demand of "how to conduct combat and restraint in situations where one cannot carry or is prohibited from carrying a sword."
The jitte, born from the Edo period's law enforcement system as a "weapon for constables who could not carry swords," and the tessen, which realized both samurai etiquette and self-defense — though they arose on the periphery of a weapons culture centered on the Japanese sword, they developed their own distinctive techniques, culture, and aesthetics. To deeply understand the world of Japanese swords, a perspective that includes these weapons beyond the sword is essential.
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