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* Image is for illustrative purposes only.The techniques of Japanese sword craftsmanship have been passed down from master to apprentice over many years, but the methods of transmission can be broadly divided into two. One is "kuden" — the direct oral transmission of knowledge — and the other is "hidensho" — technical documents written and preserved in writing.
The distinction between these two methods has deep philosophical roots. The choice of what to write and what not to write was not accidental, but rather a "knowledge management strategy" intentionally designed by each school and individual sword maker.
Technical documents left by sword makers vary in nature. The most well-known are quenching-related documents such as "kirihagaki" and "yakiba hidensho." These describe the quenching process, which is the most critical step in determining the shape of the blade pattern, including "clay composition," "how to discern fire temperature," and "how to immerse in water."
The following are known among researchers as representative existing hidensho:
What is important is the existence of techniques that were "not written" in hidensho.
In Japanese traditional craftsmanship, the philosophy that "the most important techniques are not put into writing" is widely shared. In the case of sword makers, the following techniques in particular were transmitted only from master to apprentice through kuden and were intentionally kept from being documented.
Considering for whom hidensho were written is important for understanding the nature of their contents.
The dramatic decrease in sword makers due to the Sword Abolition Edict (1876) and the dispersal of techniques due to the military sword production boom in the early Showa period had serious effects on the transmission of both hidensho and kuden.
In the postwar revival of Japanese sword culture, the NBTHK (Japanese Sword and Art Sword Preservation Society) undertook a project to document techniques. Efforts were made to collect technical information from aging sword makers and record it as video, photographs, and documents. In this process, some techniques that had previously been considered "kuden only" were put into writing for the first time.
In modern times, a format called "video kuden" has also emerged. This is a method in which the master's actual work is filmed and apprentices repeatedly view the video while learning the technique. As something that complements and expands the traditional master-apprentice relationship form of "learning by watching," it is being utilized among younger sword makers. Techniques preserved through such recording efforts are inherited by today's sword makers and lead to sword creation.
The most important aspect of technical transmission in Japanese sword making lies in the philosophy of choice regarding "what to verbalize and what to allow to be embodied." Hidensho are records of "techniques that can be verbalized," while kuden is a mechanism that promotes the embodiment of "techniques that cannot be verbalized." This two-layered structure was the knowledge management system that has maintained and advanced sword maker techniques over centuries.
The modern challenge is the simple fact that "if there are no successors, kuden will be lost." No matter how detailed hidensho may be, true technique cannot be transmitted without actually seeing the master's hands, hearing the master's words, and experiencing striking iron at the master's side. The essence of technical transmission lies not in documents but in the relationship between people — this fact is a fundamental starting point for considering modern sword maker protection policies.
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