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* Image is for illustrative purposes only.The sugata (overall form) of a Japanese sword — curvature depth and type, length-to-thickness ratio, kissaki shape, and cross-sectional geometry (zukuri) — is the first thing an experienced appraiser examines. Different periods and regions produced distinctive ideal forms that experienced eyes can read immediately.
Shinogi-zukuri: The standard Japanese sword cross-section, featuring a ridgeline (shinogi-suji) running along the blade that creates a thin sharp edge side and thick strong spine side. Optimal balance of cutting ability, strength, and weight. Standard from late Heian period to present.
Hira-zukuri: Flat cross-section without a shinogi line, common in tanto and wakizashi. Lighter, thinner, suited for thrusting. Kamakura-period masters of the Awataguchi and Rai schools produced celebrated hira-zukuri tanto.
Kata-kiriha-zukuri: Single-sided shinogi with flat opposite face. Found in some tanto and kaiken; excellent cutting geometry.
Shobu-zukuri and Kiriba-zukuri: Variations with distinctive narrowing toward the kissaki and acute spine angles respectively, appearing mainly in short blades.
Koshi-zori (peak curvature near the base): characteristic of Heian–early Kamakura tachi, designed for mounted cavalry use. Naka-zori (peak at center): Muromachi–Sengoku period standard. Saki-zori (peak near kissaki): dramatic curvature seen in Nanbokucho giant swords. Uchi-zori (reverse curve): special form in certain koto-period tanto.
Kissaki shape also signals period: small rounded ko-kissaki (Kamakura refined tachi), large pointed o-kissaki (Nanbokucho power swords), inokubi-kissaki (short thick special form, Nanbokucho–Muromachi).
Reading sugata requires combining curvature type, kissaki form, zukuri, and proportions — but always cross-reference against jihada, hamon, and nakago evidence, as later modifications (suriage shortening, etc.) frequently altered original geometries.
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