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* Image is for illustrative purposes only.The kissaki (切先) is the general term for the tip area of a Japanese sword—one of the most functionally important zones of the blade. Kissaki shape varies significantly by period, school, and intended use, and is one of the most important indicators in sword dating and attribution.
Key parts of the kissaki:
Kissaki are broadly divided into four types based on the length from the yokote to the tip.
The boshi is the hamon (temper line) as it enters the kissaki area. When the hamon crosses the yokote into the tip zone, the shape it takes is the boshi—an independently evaluated element in sword authentication.
| Boshi Type | Appearance | Representative Schools/Periods |
|---|---|---|
| Ko-maru (small round) | Small, round turnback | Yamashiro tradition; Kamakura |
| O-maru (large round) | Large, round turnback | Soshu tradition; Nanbokucho |
| Togari (pointed) | Pointed turnback | Some Bizen-tradition blades |
| Shallow kaeri | Short, shallow turnback | Simple form across many periods |
| Deep kaeri | Long, deep turnback | Some late-Kamakura blades |
| Midare-boshi (irregular) | Irregular hamon continuing into tip | Soshu tradition; Shinshinto period |
| Haki-kake | Hamon streams in like brushed sand | Soshu tradition (Masamune etc.) |
| Kaen-boshi (flame tip) | Flame-shaped boshi | Specific individual smiths |
In sword authentication, boshi informs:
| Period | Kissaki Tendency | Boshi Tendency |
|---|---|---|
| Late Heian | Ko-kissaki, inokubi | Ko-maru, shallow kaeri |
| Early Kamakura | Ko-kissaki | Ko-maru |
| Mid-Kamakura | Chu-kissaki | Ko-maru to o-maru |
| Late Kamakura–Nanbokucho | O-kissaki | O-maru, midare-boshi |
| Muromachi | Chu-kissaki | Ko-maru to midare |
| Edo (Shinto period) | Chu-kissaki | Ko-maru to togari |
| Shinshinto period | Chu-kissaki, archaic copies | Various (archaic revival) |
Modern swordsmiths approach kissaki and boshi design by weighing:
When studying works by prominent modern smiths, kissaki and boshi shape are key lenses for reading that smith's school background and aesthetic sensibility.
The kissaki and boshi are, in a sense, the "face" of the Japanese sword—the final forms that most directly reflect period, school, and individual authorship. Mastering the interpretation of kissaki shapes is essential background knowledge that greatly enhances both the enjoyment and analytical capability of the nihonto enthusiast.
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