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* Image is for illustrative purposes only.When you look closely at a Japanese katana blade, besides the hamon and jigane, you often see grooves or carvings on the blade. These are called "hi" and "horimono," and along with hamon and jigane, they are important objects of appreciation in sword appreciation.
Hi are grooves carved into the blade, possessing both functional aspects—such as material conservation, weight reduction, and acoustic effects—and decorative aspects that enhance the aesthetic harmony of the blade. Horimono are images with religious or mystical significance, such as dragons, kurikara, Fudō Myōō, or Sanskrit characters, carved directly into the blade.
The shape of hi varies greatly depending on the era, school, and commission. The main types can be organized as follows:
When appreciating hi, by paying attention to the shape of the starting and ending points of the hi (whether "maruzume" or "tsurugi-zume," etc.), the distance from the mune, and the uniformity of depth, one can see the skill of the swordsmith.
Horimono were carved into the blade as spiritual support and wishes by samurai. The main types and their meanings are as follows:
Carvings on the blade were sometimes performed by the swordsmith themselves and sometimes by specialized carvers (horimono-shi). Particularly for intricate Fudō Myōō carvings or three-dimensional kurikara dragons, independent horimono specialists often took charge.
Horimono techniques are diverse, including "kata-kiri bori," "ke-bori," "maru-bori," and "taka-bori," with the quality determined by the descriptive power of the imagery, the delicacy of the lines, and the sense of three-dimensionality. When appreciating horimono, checking with a magnifying glass to see the sharpness of the carving lines, the fineness of the dragon's scales, and the finishing of the background (ji) reveals the skill level of the craftsman.
Points to consider when appreciating hi and horimono in practice are as follows:
First, regarding hi, use light reflection to check the finishing of the starting and ending points of the hi. Whether the sides of the bouhi are smoothly polished and whether the bottom maintains uniform depth are measures of technical skill. For horimono, observe the unity of the imagery and the sureness of the lines. In fine kurikara carvings, the movement of the dragon's body and the curve of the sword are organically harmonized, and while decorative, they blend seamlessly into the blade itself.
Hi and horimono are also excellent as a "gateway" to sword appreciation. Appreciating hamon and jigane requires a certain level of experience and eye, but the shape of hi and the imagery of horimono are visually easy to grasp, making them ideal subjects of appreciation as an introduction to the artistic and spiritual world of Japanese swords.
Swords with hi and horimono are included in large numbers in the inventories of sword fairs and dealers. Swords with only bouhi are relatively common, but swords with intricate kurikara carvings or Fudō Myōō carvings are of high rarity, and tend to command higher prices compared to swords of similar condition.
For museum appreciation opportunities, the Sword Museum (Tokyo, Ryogoku) and sword-related museums throughout the country display many swords with horimono among their National Treasure and Important Cultural Property class pieces. While viewing is through glass, the depth of the hi and three-dimensionality of the horimono become visible when the lighting angle is adjusted. Participating in appreciation meetings is a valuable opportunity to hold the sword in hand and check details.
Once you become aware of the decorative elements of hi and horimono, new discoveries arise one after another from the same blade. The world of blade decoration, where functional beauty and faith converge, makes you reexperience the profound appeal of Japanese swords anew.
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