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* Image is for illustrative purposes only.The "goban-kaji" was a system in which the Muromachi shogunate summoned excellent sword smiths from throughout the country to Kyoto and had them create swords and blades for the shogun's family and high-ranking shogunate officials, rotating positions at regular intervals. "Ban" refers to rotational service, and the same concept as the imperial court's "banshū" system appears to have been applied to the sword smith system.
The system had multiple objectives. First, to ensure that the shogun's family always had a system for producing the highest quality swords and blades. Second, by placing the country's finest sword smiths under shogunate patronage, to consolidate the center of sword culture in Kyoto. Third, by imposing the obligation of rotational service, to place sword smiths from various producing regions under systematic administrative control.
While the origins of the goban-kaji may trace back to the Northern and Southern Courts period, it became clearly established as a system during the mid-Muromachi period, in the era of the 4th shogun Ashikaga Yoshimochi through the 6th shogun Ashikaga Yoshinori (early 15th century). Both shoguns Yoshimochi and Yoshinori had strong interests in swords and blades and were actively involved in summoning and protecting sword smiths.
During Yoshinori's reign (1429-1441), it is presumed that the system reached a certain level of completion. Yoshinori utilized his autocratic power to systematically control sword smiths throughout the country, and fragmentary records remain of him regularly inviting sword smiths from the major producing regions of Bizen, Yamato, and Yamashiro.
The regions of sword smiths summoned to the goban-kaji were primarily as follows.
Bizen (Osafune): From Osafune, which was the largest concentration of sword smiths throughout the Muromachi period, many smiths ascended to Kyoto, centered on the lineage of Moriimitsu and Yasumitsu. Because Bizen sword smiths operated under a guild-like production system, production could be maintained in their home region even when smiths on rotation went to Kyoto.
Yamashiro (Kyoto area): Yamashiro sword smiths such as Awatauchi and Mishina, who were already rooted in the Kyoto area, responded quickly to shogunate requests by taking advantage of their geographic advantage. Yamashiro sword smiths became regulars in the goban-kaji system and increased their presence in Kyoto as a "consumption center."
Yamato (Nara): Yamato sword smiths such as Senjuin, Tegai, and Taima, backed by their connections with major temples such as Kofukuji and Todaiji, also responded to shogunate requests. The ritual swords for Shinto and Buddhist dedication created by Yamato smiths sometimes took on the character of "shogun dedication swords" within the framework of the goban-kaji system.
Sword smiths on the goban-kaji who came to Kyoto received a workshop (forge) and materials (tamahagane and charcoal) from the shogunate and stayed for a set period (said to be several months to about a year) to produce swords and blades. The created swords and blades were used as offerings to the shogun's family, rewards and bestowed gifts to shogunate officials, and gifts to diplomatic envoys.
The treatment of mei (signatures) was also characteristic. Swords created as goban-kaji often had location signatures such as "at Kyoto" or "at Raku" added in addition to the sword smith's own signature, and this has become evidence of what is currently called "zaikyo-saku" (Kyoto production) in authentication.
The goban-kaji system was effectively destroyed by the Ōnin War (1467-1477). As Kyoto was reduced to ashes in ten years of warfare and the shogunate's finances became severely strained, the economic foundation for summoning and maintaining sword smiths in Kyoto was lost. Many sword smiths retreated to their home regions or migrated to various areas to escape the warfare.
Paradoxically, this dispersal promoted the spread of sword-forging techniques to Mino (Seki) and Kyushu, creating the characteristic situation of late Muromachi in which sword smiths became dispersed throughout the country. The collapse of the goban-kaji, a centralized sword smith management system, was also the beginning of a new phase of diversification of Japanese swords and establishment of regional characteristics.
The goban-kaji system has great significance in establishing the positioning of swords and blades as "shogunal culture" during the Muromachi period. Swords and blades became established as an element constituting "cultural elegance" of Muromachi alongside Noh theater, renga poetry, and tea ceremony, precisely because of the shogun-led sword smith protection policies of this era. In modern Japanese sword appreciation, many of the swords and blades treasured as "Muromachi masterpieces" were likely produced within the framework of the goban-kaji system.
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