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* Image is for illustrative purposes only.The tsukurikomi (forging cross-section form) of a Japanese sword refers to the cross-sectional shape of the blade body. A typical Japanese sword is in the form known as "shinogitsukuri," where the cross-section forms a convex lens shape centered on the shinogissuji (ridge line). In contrast, "kakuuchi" is a special tsukurikomi in which the blade cross-section has a shape close to a square or rectangular form.
Kakuuchi is particularly rare among Japanese sword tsukurikomi classifications and is rarely seen in ordinary tachi or daito. This form is mainly applied to tanto (short swords), and is called either "kakuuchi tanto" or "kakugata tanto."
The greatest characteristic of kakuuchi tanto is that the cross-section maintains a quadrangular shape from the hamachi (blade base) toward the kissaki (point). While hirazukuri tanto are composed only of flat surfaces on front and back, kakuuchi has flat side surfaces (the face connecting the mune side and the blade side) as well, presenting an overall prismatic appearance.
The mune (spine) is finished with even more sharply defined corners than the standard kakumune. The kasane (thickness) is relatively thick, and it is also interpreted as a design intended for practical functionality as a yoroiodoshi-type tanto for piercing gaps in armor. Yoroiodoshi refers to the general category of tanto specialized for the purpose of penetrating gaps in armor to strike a decisive blow in close combat, and has a high affinity with the design philosophy of kakuuchi, which maintains a thick and robust cross-section.
The period during which kakuuchi tanto manufacturing was most common is said to be from the late Kamakura through the Nanboku-cho period. This was an era when large swords such as daito and nodachi flourished, while at the same time tanto grew increasingly diverse for close combat. As tanto for different purposes—such as yoroiodoshi, koshigatana (waist sword), and kaiken (breast sword)—developed, it is believed that the kakuuchi form was adopted with the purpose of maximizing thrusting performance from the front.
Such kakuuchi tanto has high affinity with the "thrust-specialized" design philosophy favored by Soshu-den smiths, and some kakuuchi tanto are transmitted as works of Soshu-den smiths. Additionally, some kakuuchi tanto by Yamato-den smiths have been confirmed, and examples of manufacture not limited to a specific regional school remain.
The number of existing kakuuchi tanto is extremely small, and some have been designated as Important Cultural Properties or Special Important Swords. They are held in multiple domestic museums and art galleries, and are occasionally displayed in special exhibitions. Regarding specific culturally designated properties, you can search and verify them in the Agency for Cultural Affairs' National Designated Cultural Properties Database (kunishitei.bunka.go.jp).
In NBTHK assessments, kakuuchi is frequently noted as a rare form, and is explicitly listed as "kakuuchi" in the tsukurikomi category of certification documents. Complete examples (without damage or excessive wear from sharpening) receive particularly high evaluations.
When authenticating kakuuchi tanto, the following points are confirmed.
If there is suspicion of later alteration, the absence of unnatural grinding marks on the mune shape and finishing near the shinogi ridge becomes a confirmation point. Whether the "corners" of kakuuchi were added later through sharpening or intentionally formed from the manufacturing stage can be determined to some extent from the iron composition and the flow pattern of the kitaehada (forging pattern).
In recent years, kakuuchi tanto have become subjects of revival and research by modern swordsmiths. Because it is a rare form, "opportunities to make them are themselves scarce," and some swordsmiths are working on uncovering the techniques and restoration manufacturing. Some swordsmiths choose kakuuchi as exhibition works, and rare ancient forms are bringing new context to modern sword art.
The cross-sectional structure of kakuuchi tanto is also valuable evidence demonstrating the diversity of Japanese sword forging techniques. The fact that such diverse tsukurikomi forms were born within the same "tanto" category according to purpose, period, and school demonstrates that the Japanese sword is a product of artistic and technical pursuit that transcends mere weaponry.
"Yoroiodoshi" is the general category of tanto designed for piercing gaps in armor, characterized by narrow blade width, extreme kasane thickness, and cross-sections close to triangular or angular forms. Yoroiodoshi, also called "meteizashi," "yateizashi," or "kubikakigattana," was effective in kumiuchi—a combat form of grappling at close range with an armored opponent while delivering a fatal strike.
Kakuuchi tanto can be understood as one form of this yoroiodoshi-type design philosophy. By maintaining a quadrangular cross-section, it distributes stress on the blade and realizes a structure that resists blade breakage during kumiuchi. This is a purely combat-practical tsukurikomi that stands in stark contrast to thin, finely honed ceremonial tanto.
Furthermore, the cross-sectional design of kakuuchi differs from the traditional weight-reduction method of carving a "hi" (groove) in the blade, and can be said to be a unique solution born from a swordsmith's pursuit of material properties and combat application. The fact that most existing kakuuchi tanto were manufactured during the late Kamakura to Nanboku-cho period, the heyday of large heavy armor, is consistent with this combat-practical background.
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