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* Image is for illustrative purposes only.In recent years, interest in Japanese swords among foreign visitors to Japan has clearly been rising. Several factors lie behind this trend.
Surveys by the Japan Tourism Agency have also shown that foreign travelers are highly satisfied with experiential content, and sword culture is drawing attention as a potentially high-value experience resource that combines the three elements of craftsmanship, martial arts, and history.
Among martial arts enthusiasts in Europe and North America in particular, demand for deeper engagement is growing — not simply consuming Japanese swords as tourist souvenirs, but wanting to see a real forge in operation or to pick up and hold a live blade. Compared with other traditional Japanese crafts, swords carry a special presence that combines functional beauty, spirituality, and layered historical depth.
Opportunities to observe an active tōshō at work in a forge are limited even within Japan. The number of tōshō is not large to begin with, and only a fraction of them accept outside visitors.
Most tōshō who do accept visitors tend to prioritize "people with a serious interest in swords" over foreign tourists seeking a sightseeing experience. The operational costs on the host side are also high, including no-photography policies, time restrictions on visits, and the need for interpreters. Some tōkō have systematized tour programs in partnership with travel agencies and NPOs, and a model in which an English-speaking guide accompanies small groups is beginning to function.
The work of a kaji changes in process depending on the season and the condition of the steel, which makes it difficult to stage a tanren scene at a specific date and time. For this reason, advance reservations, small-group limits, and flexible scheduling have become the practical mode of operation. Initiatives such as those in Seki City, Gifu Prefecture, which combine sword forge visits with regional tourism by leveraging the brand of a cutlery-producing area, are also emerging and attracting attention in the context of regional revitalization.
Dojo and organizations offering iai and kenjutsu programs for foreign visitors are increasing, centered on Tokyo, Kyoto, and Osaka. Most programs use imitation swords (replica blades) rather than live blades (real swords) for safety, though some facilities offer tameshigiri experience using sand-filled straw targets for advanced participants.
At experience dojo staffed with English-speaking instructors, programs are packaged as "samurai experiences" or "SAMURAI experiences," and one-to-three-hour sessions are typically offered for around 10,000 yen. Combining these with kimono and hakama dressing services further boosts their appeal as a visual experience.
Programs are also appearing that go beyond martial arts content to include classroom sessions covering basic knowledge of Japanese swords — part names, how to read the hamon, and differences in shape across historical periods — representing an evolution of content beyond simply "swinging a sword." Some forward-thinking dojo have adopted a system in which participants take home a "training card" recording their experience, using it as a means of cultivating repeat visitors.
Multilingual support for foreign visitors is advancing at the Japanese Sword Museum in Tokyo, history museums across the country, and shrine treasure houses that hold sword collections. The main efforts involve providing English audio guides, brochures, and explanatory panels. Some facilities have volunteer guides who can communicate in foreign languages and provide in-depth commentary on individual exhibits.
The challenge lies in conveying sword terminology — hamon (temper line), jigane (steel of the blade surface), nakago (tang), and so on — accurately and accessibly in foreign languages. Because word-for-word translation does not communicate the meaning, some facilities are experimenting with visual aids for supplementary explanation and hands-on exhibits allowing visitors to touch actual items. At the Japanese Sword Museum (Ryogoku, Tokyo), NBTHK appraisal sessions are held, and cases of foreign collectors attending are increasing. The need to strengthen support for English speakers is recognized as a challenge in this context of appraisal and collecting as well.
Making Japanese sword experiences a sustainable tourism resource involves several structural challenges.
Interest in sword culture among foreign visitors to Japan is moving beyond mere souvenir consumption toward a desire for deep cultural understanding and authentic experiences. Building an experiential ecosystem that links forge tours, martial arts experiences, and museum education will be the next stage for Japanese sword inbound tourism.
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