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* Image is for illustrative purposes only.The number of craftsmen who forge Japanese swords—that is, bladesmiths (togishi)—is estimated to be around 300 nationwide even in the present Reiwa era. However, their actual situation is placed in an economic environment that is unusually harsh even within the world of handicrafts. The number of Japanese swords that a bladesmith recognized by the Agency for Cultural Affairs can produce in a year is set at a maximum of 24 swords (2 per month) within the framework of the registered swords preservation system, and this ceiling determines the structure of income limits.
What then is the actual annual income? For renowned bladesmiths or sword craftsmen of the Living National Treasure class, works valued from 1 million to several million yen per sword are not uncommon, but for the majority of bladesmiths, reality is harsher. Many cases report that net income after deducting material costs (tamahagane, charcoal, whetstones, etc.) and equipment maintenance costs required for sword forging amounts to around 200,000 yen per month. Among sword industry professionals, the saying "fewer than one in ten bladesmiths can support themselves on swords alone" is passed down, and the reality is that side businesses and supplementary income underpin operations.
One major pillar supporting bladesmith operations is public support systems. Representative examples include the Agency for Cultural Affairs' "Traditional Craft Industry Promotion Project" and traditional craft support systems of each prefecture. In areas known as sword production regions such as Okayama Prefecture (Bizen and Osafune districts), Gifu Prefecture (Seki City), and Nara Prefecture, local governments have established unique systems that subsidize workshop equipment installation costs and successor training expenses.
Financial support through the Traditional Crafts Industry Promotion Association (Densan Association) and activity subsidies from the Japan Craft Association are also utilized. Bladesmiths designated as Living National Treasures can receive special subsidies of around 2 million yen annually from the Agency for Cultural Affairs, and whether or not such designation is obtained greatly affects management stability.
On the other hand, receiving subsidies involves complicated application procedures, and many complain that "paperwork takes away from time spent forging." The burden is particularly heavy on young bladesmiths, and improving the usability of support systems has been identified as an issue.
In recent years, "experience forging" and "workshop tour programs" have become widespread as means of diversifying income. In cities such as Seki, Gifu Prefecture; Setouchi, Okayama Prefecture (formerly Osafune Town); and Nara City, an increasing number of workshops offer 1-2 hour experience forging sessions for tourists and sword enthusiasts, with participation fees typically ranging from 5,000 to 15,000 yen per person.
Following the expansion of inbound tourism demand (particularly the weak yen environment after 2024), some bladesmiths have begun offering English-language programs targeting foreign tourists. If a workshop continues offering group experiences of 3-5 people on weekends, it can generate supplementary income of around 200,000 to 300,000 yen per month, significantly supplementing the primary income from sword forging.
However, experience programs have high time and labor costs, and bladesmiths face the dilemma of "reduced time to focus on actual forging." Some bladesmiths deliberately choose not to offer experience programs and instead specialize in custom sword commissions, so management strategies vary significantly by individual.
Another important factor affecting bladesmith income is the choice of sales channel. Traditionally, wholesale through sword dealers (trading companies and retailers) was the mainstream, with bladesmiths receiving amounts after deducting commissions of around 30-40% from the retail price. However, in recent years, there has been a growing trend toward emphasizing direct sales.
Exhibiting at the annual "New Works Masterpiece Sword Exhibition" (organized by the Japan Sword Preservation Society) functions as a venue for bladesmiths to directly connect with general sword enthusiasts. Moreover, an increasing number of bladesmiths are setting up their own booths at sword fairs and antique markets throughout the country, with many seeking revenue improvement through direct sales that eliminate middleman markups.
Information dissemination through SNS and websites is also increasing in importance. Bladesmiths are emerging who enhance their reputation by sharing the sword-forging process on Instagram and YouTube, and accept custom orders directly. Bladesmiths who utilize such digital strategies tend to have more loyal customers and develop stronger negotiating power over pricing.
One long-term management issue for bladesmiths is training apprentices (live-in apprentices). Under the Agency for Cultural Affairs system, to become a bladesmith one must train for at least 5 years under a certified bladesmith and then pass an examination. While taking on apprentices is an obligation for masters to pass on their techniques, it can also entail the economic burden of supporting their apprentices' livelihoods to some extent.
Reported apprentice wages are around 80,000 to 150,000 yen per month, and in many cases, masters cover this from their own income. Workshops with 3-4 apprentices face annual personnel costs in the millions of yen, making operations difficult without a well-funded bladesmith.
On the other hand, if an independent apprentice gains recognition as an excellent bladesmith, the master's school or workshop also gains prominence, representing a "human asset" aspect. While apprentice training is a short-term expense, it can also be seen as a long-term investment in workshop brand.
The environment surrounding bladesmith operations remains harsh. Multiple challenges converge: rising material costs (tamahagane prices have been trending upward in recent years), a shortage of successors, aging, and low public awareness. On the other hand, there are tailwinds: a Japanese sword boom among young people driven by sword-based games, films, and anime; synergistic effects with inbound tourism; and growing international attention toward Japanese swords as "Japan's intangible cultural heritage."
What may be required of contemporary bladesmiths is not only deepening their sword-forging skills but also adopting an entrepreneurial perspective. By combining multiple pillars—leveraging subsidies, developing experience offerings, engaging in SNS communication, and directly approaching overseas markets—a quiet movement is spreading to realize the goal of "a bladesmith who can support themselves on swords alone."
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