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* Image is for illustrative purposes only.The world of Japanese swords is both a crystallization of spiritual culture with hundreds of years of tradition and a microcosm of the serious industrial challenges facing modern Japan. Swordsmiths, polishers, scabbard makers, metalworkers, sword dealers, and researchers—the entire ecosystem woven by these diverse specialized crafts is now facing a severe storm of personnel shortages.
According to statistics from the Cultural Affairs Agency, the number of active swordsmiths holding sword-making qualifications (swordsmith licenses) across the country remains at approximately 300. Moreover, the majority of these are in their 60s or older, and even fewer maintain active sword-making activities. As for polishers, there are only about 100 highly skilled technicians nationwide engaged in cultural property restoration, and successor candidates are only a fraction of these. These figures indicate not merely a shortage of craftsmen, but a crisis of discontinuity in technical knowledge cultivated over many generations.
The decline of swordsmiths stems from the unique nature of the apprenticeship system. Under the current system, obtaining a swordsmith license requires at least 5 years of apprenticeship under a master, and even after becoming independent, it takes several more years to achieve stable income. Creating a single blade can take 1-3 months, and mastering sword-making techniques requires over 10 years. By law, a single swordsmith is limited to creating no more than 24 swords per year, which constrains their income ceiling.
Behind the decline in young people seeking apprenticeships is economic instability. Income during apprenticeship is extremely limited, and cases where it falls below minimum wage are not uncommon. The reality of continuing training while supplementing living expenses through parental support or side jobs keeps potential applicants away. Conversely, swordsmiths accepting apprentices find themselves in the contradictory situation of lacking the financial means to support them.
The world of polishers is even more severe. Simply with the use of whetstones, understanding the characteristics of natural whetstones mined from producing areas across the country and the judgment to select them based on blade condition requires over 10 years of practice. Moreover, the amount of natural whetstone mining is decreasing year by year, and the depletion of high-quality whetstones casts a shadow over technical transmission.
The world of sword dealers faces a similar crisis. Many long-established sword shops have been operated by the children or grandchildren of founders, but this pattern of succession is collapsing. An increasing number of successors are choosing other industries, and long-established shops closing never cease.
The knowledge required of sword dealers is vast. Period attribution (appraisal), reading of signature catalogs, discerning authenticity, market knowledge, legal knowledge (Swords and Firearms Control Law, Cultural Properties Protection Law), judgment of restoration needs, and building long-term trust with customers—developing specialists capable of handling all these requires extensive time and practical experience. No curricula exist in universities or vocational schools to train sword dealers, and on-the-job training through practical experience is the only development method.
The talent crisis is equally severe in the world of sword research. Departments at domestic universities that specialize in researching and teaching Japanese swords are extremely limited, and positions for researchers specializing in swords are rare. There are only dozens of positions nationwide for museum and gallery curators specializing in Japanese swords, insufficient to function as an outlet for new graduates.
Scholarly research on swords requires knowledge spanning multiple academic disciplines including metallurgy, history, art history, archaeology, and folklore, and developing personnel with such multidisciplinary expertise is not easy. Furthermore, venues for returning research results to society (academic journals, exhibitions, educational programs) are limited, and the lack of a clear career path as a researcher leads to a decline in applicants.
In response to this crisis, various sectors of industry and public-private areas are exploring countermeasures. The Cultural Affairs Agency has implemented swordsmith support measures under the "Law Concerning the Promotion of Traditional Craft Industries" and has established subsidy systems for successor development. The Japan Art Sword Preservation Society (NBTHK), a public interest incorporated foundation, conducts technical certification of swordsmiths and public awareness activities, and is cultivating new fan bases through sword exhibitions and appraisal sessions held throughout the country.
What has been attracting attention in recent years is the increase in open, experiential events. Sword forging observation tours, polishing experience workshops, and sword appreciation seminars have come to be held nationwide, expanding opportunities for younger generations to engage with sword culture. Young people in their 20s and 30s who developed interest in Japanese swords through games and manga are drawing attention as new potential successors to the industry, and individuals from this demographic beginning to pursue careers as swordsmiths and polishers are already emerging.
The application of digital technology also opens new possibilities. Precise blade recording through 3D scanning technology, digital preservation of signature catalogs and appraisal materials through database creation, and development of online knowledge-sharing platforms are contributing to making tacit knowledge visible. The personnel issue in the sword industry is a cultural crisis that transcends a mere industrial problem. To prevent the light of this precious culture from being extinguished, what is now required is a unified effort by industry, government, and society.
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