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* Image is for illustrative purposes only.The skills of the Japanese sword industry are an accumulation of "embodied knowledge" that books and formal schooling alone cannot convey. The following are examples of craft knowledge that can only be acquired over many years at a master's side.
The apprenticeship system (tosei seido) functions to this day in the sword industry as the mechanism for transmitting this embodied knowledge across generations. However, the sustainability of the system has come under increasing scrutiny in recent years, as a declining birthrate, economic burdens, and the aging of the master generation have converged.
To forge swords as a tōkō (tōshō), one must obtain approval of production for each sword to be made (Act for Controlling the Possession of Firearms or Swords and Other Such Weapons (e-Gov Law Search), Article 18-2). To receive approval for the first time, the requirements include having devoted oneself continuously for five years or more to refining one's technique under a tōshō who has previously received approval, and having received the training conducted by the Commissioner of the Agency for Cultural Affairs (Rules on Approval of the Production of Art Swords (e-Gov Law Search), Article 2).
Introductions and interviews are the main route to entry, and the human bond between master and apprentice is given great weight. The number of apprentices a master can accept at one time is limited, and the number of tōshō who have received approval of production is far from large. As a result, "finding a master" is itself the first major hurdle, and it is not uncommon for aspiring smiths without connections to travel from one sword-making workshop to another.
The treatment of apprentices during training varies by master. In some cases a living allowance is provided; in others, one must rely on the support of family. Live-in arrangements often include meals and lodging, while some masters restrict outside employment. For this reason, the presence or absence of financial support is a decisive factor in whether training can be sustained. Some make use of support programs offered by local governments, but the content varies by fiscal year and region, so prior confirmation is essential.
After five or more years of training and the training conducted by the Commissioner of the Agency for Cultural Affairs, one may become an independent tōshō upon receiving approval of production. The relationship with one's master continues after independence, and it is a major characteristic of the tōkō world that the practical "master-apprentice network" — through technical guidance and introductions to sales channels — continues to constitute trust within the industry.
The togishi is a specialist who draws out the hamon, jigane, and sori of the blade through polishing. The polishing finish evaluated by assessment bodies including NBTHK demands a sensibility and technical system distinct from those of the tōkō. Training is typically long-term, requiring a considerable number of years before one is recognized as fully proficient.
Entry is generally by direct application to a master. Togishi tend to concentrate in urban areas, and aspiring practitioners from regional backgrounds must often relocate. During training, apprentices learn the types of whetstones and how to use each, master the following steps in sequence, and accumulate practical training polishing actual swords under the master's supervision.
It is said that income remains at a low level during the training period, and a long time elapses before one gains independence and a stable clientele.
Because this is a trade that demands refined sensitivity of the body's finest sensations, substitution by digital technology is difficult, and dependence on direct transmission through the master-apprentice relationship is especially high.
The saya maker produces the blade's exterior fittings (saya), while the tsuka maker produces the grip (tsuka); both play an important role in completing the overall appearance of a Japanese sword. However, the shortage of successors in both trades is said to be even more severe than in the tōkō and togishi worlds. The number of active saya makers and tsuka makers is limited, and some workshops have an aging craftsman continuing to work without a successor.
Training periods are often long-term. It is necessary to master the entire broad range of processes, from selecting and working the wood to shaping it, and applying lacquer. During training, work centered on maintaining the master's workshop can take precedence, and a structural problem has been noted in which progress in acquiring the skills that should properly be learned falls behind. The road to earning stable income after independence is long, and securing enough work to make a living as a full-time specialist is itself a challenge. This economic hardship makes it still harder to attract young entrants, and a vicious cycle continues.
Among sword dealers (antique art dealers), a clear master-apprentice relationship exists, albeit informally. The typical pattern is to become an apprentice under the proprietor of an established sword dealership and acquire, on the job, the skills of appraising purchases, judging authenticity, handling customers, and the practical affairs relating to registration certificates. There is no official licensing system, but membership in industry associations sometimes functions as a measure of credibility within the trade.
The training period is estimated at a few years, after which one either continues working within the master's shop or opens one's own business. Starting an independent business requires obtaining an antique dealer's permit, and introductions to customers and the transfer of goodwill from one's master have a major bearing on sales in the early stages of operation. While the spread of online sales has made it easier for younger sword dealers to enter the market, the importance of the master-apprentice relationship in cultivating reliable appraisal skills is said to be, if anything, increasing. The eye for judging authenticity is developed through long years of contact with actual objects, and in that sense the on-site experience alongside a master is indispensable.
The greatest structural problem of the apprenticeship system comes down to "the economic burden during the long training period." The combination of student loan repayments, rising living costs in urban areas, and later marriage means that a significant number of young people are said to leave their training midway, unable to survive the period of low income. Government and local government subsidy programs exist, but it is difficult to say they cover all aspiring practitioners.
The aging of the master generation is also progressing, and the risk that skills will be lost after an outstanding master retires is becoming a real possibility. Some local governments have undertaken initiatives to connect aspiring practitioners with craftspeople, but across the sword industry as a whole, a unified matching mechanism and a system to support practitioners financially during training are not yet sufficiently in place.
In terms of digital applications, a small number of masters have begun to incorporate video-based learning and remote instruction. However, since the essential aspect of acquiring embodied knowledge cannot be substituted for remotely, this remains strictly supplementary. Redesigning the system will require, alongside the expansion of subsidies, efforts by industry associations to make the conditions and minimum standards of treatment for apprenticeships visible.
The apprenticeship systems of the tōkō, togishi, saya maker, tsuka maker, and sword dealer each differ in form, but all remain the foundational mechanism for passing the skills and commerce of the Japanese sword industry on to the next generation. The training benchmarks for each trade are summarized below.
| Trade | Training Benchmark | Entry Route and Characteristics |
|---|---|---|
| Tōkō | Minimum 5 years (receiving the training conducted by the Commissioner of the Agency for Cultural Affairs and approval of production are prerequisites) | Introductions and interviews are the main route. Treatment during training varies by master |
| Togishi | Long-term (a considerable number of years before recognized as fully proficient) | Direct application to a master is standard. Tendency to concentrate in urban areas |
| Saya maker / Tsuka maker | Long-term | Successor shortage is severe; the number of practitioners is limited |
| Sword dealer | Estimated a few years | Informal master-apprentice relationship is central. Industry association membership is a measure of credibility |
Sustaining the industry requires establishing an environment in which young people can enter apprenticeships without taking on economic risk. The following are the initiatives that should be pursued in a comprehensive manner.
Advancing these measures will lead to the long-term protection and development of Japanese sword culture. The apprenticeship system is not a relic of the past — it is a system that demands redesign at this very moment.
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