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* Image is for illustrative purposes only.In the world of Japanese swords, there exists a concept called the "Five Swords of the Realm" (Tenka Goken). From among the numerous renowned blades, five particularly outstanding swords were selected. Traditionally, these are listed as "Onikiri Kunitsuna," "Mikazuki Munechika," "Daitentsu Mitsuo," "Juzumaru Tsunetsugu," and "Dojigiri Yasushige." However, some historical sources rank "Honjo Masamune" at the top of, or as the supreme example among, these five. While other swords attributed to Masamune are treated as exceptional, Honjo Masamune is unique in that it is considered "no longer extant."
Masamune was a swordsmith who flourished in Sagami Province (in the vicinity of present-day Kamakura, Kanagawa) during the late Kamakura period through the early Nanboku-cho period (late 13th to early 14th century). Though much about his life remains unknown, he is positioned as the pinnacle of the Soshu tradition, and the assessment that he was "Japan's greatest swordsmith" is widely shared among sword researchers.
The characteristics of Masamune's works lie, in terms of hamon (blade pattern), in large undulating forms, irregular patterns, and full-width hardening. Yet what draws even greater attention is the quality of the "nie" (crystalline formations). The nie sparkles within the hamon like grains of sand, and the body of the blade is filled with fine jinie (nie crystals in the ground). The most distinctive feature of Masamune is that the blade appears to shift and transform like a living thing depending on the angle from which it is viewed.
The name Honjo Masamune enters the historical record during the Sengoku period. It takes its name from Honjo Shigenaga, a warlord of Echigo (present-day Niigata Prefecture), who possessed the blade. Shigenaga was a fierce general who served under Uesugi Kenshin and Kagekatsu, and the sword is said to have later passed from the Uesugi clan to the Tokugawa shogunate.
The circumstances under which Shigenaga acquired this blade are given in a powerful tradition: he seized it from an enemy general during the Battle of Juugorichigahara in 1588 (Tensho 16). This anecdote became the origin of the name "Honjo Masamune," making the blade's nomenclature deeply tied to the martial exploits of its owner—an unusual occurrence in Japanese sword history.
Thereafter, Honjo Masamune came into the possession of the Tokugawa shogunate. The Edo bakufu preserved it as an important treasure of the Tokugawa house and positioned it as one of the blades symbolizing the authority of the shogun. It remained in the hands of the shogunal family until the end of the bakufu, and after the Meiji Restoration, it is believed to have been held by the Imperial Household or former bakufu families.
The Edo bakufu established a specialized agency called the "Onkensho" (Sword Bureau) to manage important blades, and Honjo Masamune is said to have been stored there under strict protection. Moreover, when the Uesugi clan was significantly reduced in domain size—from Aizu's 1.2 million koku to Yonezawa's 300,000 koku—following the Battle of Sekigahara in 1600, the financially straitened Uesugi clan was forced to present or sell their treasured heirlooms to the Tokugawa shogunate, which is considered the background for Honjo Masamune's transfer.
Records from the Meiji and Taisho periods occasionally mention Honjo Masamune, but its appearances in historical documents become sporadic after the Showa era. In 1941 (Showa 16), there remains a record that sword researcher Honami Koson issued a certificate of appraisal, confirming the blade's existence at that point.
Honjo Masamune vanished from the historical stage immediately following the end of World War II.
In August 1945, Japan accepted the Potsdam Declaration and came under occupation by the Allied Forces (GHQ). As the GHQ proceeded to dismantle Japanese militaristic symbols, it ordered the confiscation and destruction of swords. In this "sword hunt," tens of thousands of blades were collected, and the majority were discarded or melted down.
Honjo Masamune is believed to have been confiscated during this period. In December 1945, Tokugawa Iemasa, the head of the Tokugawa house, reportedly surrendered Honjo Masamune and several other renowned blades to the Allied Forces under GHQ orders. The record names "Sergeant Coldy Bimore" as the officer who received them, but no official documentation confirming his existence has been found. What became of the blade thereafter remains unknown.
According to one account, this officer brought Honjo Masamune with him when he returned home, but disposed of it out of fear of Japanese sword regulations within America; alternatively, it is said that after the officer's heirs inherited it, the blade went missing. In any case, no evidence confirming the definite location of Honjo Masamune has existed since 1946 to the present day in 2026.
The whereabouts of Honjo Masamune continue to attract strong interest from sword enthusiasts, researchers, and media outlets in the modern era.
In 2009, investigative reporting by American news media highlighted questions about whether "Sergeant Coldy Bimore," named in the records as the recipient, actually existed. Various hypotheses emerged regarding his involvement, yet no conclusive evidence was produced. Among Japanese sword researchers and dealers, the view that "perhaps some private collector possesses it" remains strong.
The Japanese government and the Cultural Agency are said to be investigating the location of Honjo Masamune as part of their efforts to track down cultural assets that have flowed overseas. Further, in the 2020s with the advent of the internet age, whenever a blade bearing the "Masamune" signature appears at overseas auctions or in private sales, it attracts attention; however, none have so far been confirmed to be Honjo Masamune.
Organizations of sword enthusiasts and researchers, including the Japanese Sword Culture Foundation, continue sporadic investigative tracking through independent channels. In particular, regarding the blade's whereabouts since its disappearance, researchers share four main hypotheses: ① removal to America, ② loss or theft, ③ secret sale, or ④ continued existence but unpublicized—with both supporting and contradicting evidence existing for each.
Now that Honjo Masamune is lost, we must rely on other extant works to appreciate Masamune's skill. Domestically, swords believed to be authentic Masamune works are housed in the Tokyo National Museum, the Kyoto National Museum, the Kyushu National Museum, and other institutions, and opportunities for public viewing at special exhibitions arise from time to time.
Among the works famous as authentic Masamune pieces are "Fudo Masamune," "Kanzeyo Masamune," and "Uesugi Masamune." Through direct observation of these extant works—particularly the blade patterns featuring large undulating forms and bright nie within the full-width hardening—one can begin to imagine what Honjo Masamune must have been like.
The name of Masamune has taken on a mythical quality due both to the scarcity of his extant works and the existence of Honjo Masamune, the "lost supreme masterpiece." Yet sword researchers simultaneously emphasize that Masamune's technical and aesthetic excellence is not mere myth but something substantiated through empirical evidence.
The "gleaming ground adorned with jinie" and "bold irregular patterns" distinctive to the Soshu tradition became a model for later smiths, yet none could exceed Masamune's level, it is said. The existence of works called "Muromachi Masamune" (imitations) testifies to this fact.
The disappearance of Honjo Masamune is transmitted as a symbol of the cultural loss wrought by World War II. In the turbulent storms of war, occupation, and chaos, a renowned blade bearing nearly seven centuries of history vanished.
Yet hope remains that Honjo Masamune exists somewhere. It seems unlikely that a sword that survived nearly seven centuries through the rough waves of history would be completely annihilated in merely eighty years. Should the day ever come when it is seen again in the light of day, it would constitute the greatest "discovery" in Japanese cultural history. The mystery of Honjo Masamune continues to pose questions to the world about the indestructible value that Japanese sword culture possesses, even now in 2026.
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