* Image is for illustrative purposes only.Ōmi no Kami Tsuguhiro
近江守継廣
Description
Ōmi no Kami Tsuguhiro was a swordsmith of the Echizen Sekigane school during the mid-Edo period. He was active among the Shimosaka smiths (Echizen Shimosaka School) who had migrated from Ōmi Shimosaka to Echizen, and is said to have studied under the third-generation Echizen Yasujie. He received the official title Ōmi no Kami and, while basing himself in Echizen, also carried out smithing activities in Edo and Ōmi.
Lineage and School
He belonged to the Echizen Shimosaka School (Echizen Sekigane school) and represents a leading Echizen swordsmith of the mid-Edo period as one of the craftsmen continuing the lineage of Echizen Yasujie. His active period is confirmed primarily during the Kanbun era (1661–1673), and multiple signed works by his hand survive.
Style
He mastered the fine-line straight hamon (hosojugha), characterized by subtle irregular patterns interspersed within a straight-blade foundation. The steel displays refined itame-hada characteristic of Echizen blades, with well-developed jigane and a lustrous appearance. He occasionally forged gunome-midare hamon patterns, demonstrating a smithing approach that prioritized practical cutting performance.
Evaluation
He was ranked among the Gyōmono and received high acclaim for his cutting performance. He is evaluated as a craftsman of reliable skill among Echizen-school smiths, and signed works recognized as Hozontoukken and Tokubetsu Hozontoukken have been confirmed. Although a regional craftsman based in Echizen, he demonstrated broad geographic activity by conducting smithing work in Edo as well.
Related Swordsmiths
和泉守国貞
Osaka Shinto (Settsu Province). Carrying on the Osaka tradition of refined shinto swordmaking, Kunisada inherited the techniques of his predecessor (Kunisada I) and refined them further, becoming recognized as the foremost swordsmith in Osaka.Izumi no Kami Kunisada
Active during the mid-Edo period (late 17th to early 18th century), coinciding with the flourishing Genroku era of Osaka culture. Under the peaceful governance of Tokugawa Tsunayoshi, demand for swords shifted toward artistic refinement, and Kunisada embodied this spirit with his polished craftsmanship.
堀川国広
Soshu tradition (New Sword)Horikawa Kunihiro
Momoyama to Early Edo period (New Sword genesis era)
大和守吉道
OtherYamato no Kami Yoshimichi
Early Edo Period
肥前行弘
Hizen traditionHizen Yukihiro
Early Edo period