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* Image is for illustrative purposes only.The Meiji government's 1876 sword prohibition (Haitōrei) banned the carrying of swords as a samurai privilege. Beyond cultural shock, it was an economic catastrophe for the entire nihonto industry.
Smiths facing collapsed demand faced stark choices:
Pre-Haitōrei sword dealers primarily traded functional swords for daily carry. After the ban, dealers who recognized the emerging value of antique swords as *art objects* pivoted to serve collectors, museums, and foreign tourists. This transformation aligned with the *Japonisme* movement and Western enthusiasm for Japanese art—coinciding with the beginning of antique sword exports abroad.
The Imperial Museum (now Tokyo National Museum) at Ueno became the center for systematic collection, scholarship, and exhibition of antique swords as *national cultural assets*. This created the academic foundation for sword authentication and valuation—the institutional predecessor to the NBTHK's later establishment.
The 1897 Law for the Preservation of Old Shrines and Temples created the legal framework for protecting Japanese swords as cultural properties, eventually developing into the National Treasure and Important Cultural Property designation system. Through this process, nihonto transitioned legally and socially from "weapon" to "artistic craft object," completing the foundation of modern sword culture.
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