* Image is for illustrative purposes only.Meireki Era
明暦(めいれき)
Meireki (1655-1658) was an early Edo-period era under the fourth shogun Tokugawa Ietsuna. The Great Fire of Meireki (Furisode Fire) of January 1657 destroyed most of Edo, and sword researcher Ito Sanpei estimates roughly 100,000 blades were lost in the city alone. Of the 168 famous swords recorded in the later Kyōhō Meibutsuchō, 69 are noted as lost to the fire, including celebrated blades such as the Uesugi Tachi, Daikoku Tachi, and Hōchō Tōshirō. The scramble to replace this lost stock helped set the stage for the Kanbun Shintō boom that followed.
Description
The Great Fire of Meireki and the Loss of Swords
Meireki (1655-1658) was an era under the fourth shogun Tokugawa Ietsuna. Central to this period is the Great Fire of Meireki (also called the Furisode Fire) of January 1657, which destroyed most of Edo, consuming the keep of Edo Castle along with daimyo and hatamoto residences and townhouses, with a death toll estimated in the tens of thousands.
Sword researcher Ito Sanpei estimates that roughly 100,000 blades were lost in Edo alone in the fire. Of the 168 famous swords recorded in the 1719 Kyōhō Meibutsuchō, 69 are noted as having been lost to the fire — a staggering blow to the era's finest sword collection. Among the celebrated blades lost were the Uesugi Tachi, said to be associated with Uesugi Kenshin, the Daikoku Tachi handed down through the Ashikaga shogunate, and the Hōchō Tōshirō, an heirloom of the Tokugawa shogunal house. Records also describe "yakinaoshi" — the re-tempering of fire-damaged blades to restore them.
Setting the Stage for Kanbun Shintō
The mass loss of blades drove a sharp rise in demand for swords in Edo. The need for daimyo and hatamoto households to re-equip themselves after losing their armaments helped prepare the ground for the Kanbun Shintō boom of the 1661-1673 period. Kanbun Shintō blades are characterized by shallow curvature and a form suited to thrusting rather than a pronounced point — a style tied both to the spread of shinai-based swordsmanship training and to the replacement demand created by the fire.
A Representative Smith
Nagasone Kotetsu, who moved from armor-making into swordsmithing in Edo, is said to have begun forging blades around the Meireki-Manji years, later maturing into a smith ranked among the finest of the Shintō period during the following Kanbun era. This was a time when Edo smiths such as Kotetsu honed their craft amid the surge in demand following the fire.
Social Context
The Great Fire of Meireki prompted a major rethinking of Edo's urban planning, including the creation of firebreaks and wide avenues as part of a shift toward disaster-resilient city design. Many daimyo and hatamoto households lost heirloom blades that had been passed down for generations, making the re-acquisition of swords symbolizing lineage and status an urgent task. The Meireki era marks one of the turning points at which, in an age of peace, the sword increasingly took on the character of a family treasure embodying rank and pedigree rather than a purely practical weapon.
Characteristics of This Era
- Meireki (1655-1658) fell under the fourth shogun Tokugawa Ietsuna; the 1657 Great Fire destroyed most of Edo
- Sword researcher Ito Sanpei estimates roughly 100,000 blades were lost in Edo alone
- 69 of the 168 famous swords recorded in the Kyōhō Meibutsuchō were lost, including the Uesugi Tachi, Daikoku Tachi, and Hōchō Tōshirō
- Replacement demand for lost blades helped set the stage for the Kanbun Shintō style of shallow curvature and thrust-oriented form
- Nagasone Kotetsu is said to have begun forging around the Meireki-Manji years
- The fire prompted urban firebreak reforms and accelerated the sword's shift toward a status-symbol "family treasure"